Eugene ONeills autobiographical play, A long Days Journey into Night, depicts the Tyrone family: a textbook family of dysfunction. More so than a standard family, they commit painful hardships that they have to constantly endure. This story represents one dainty piece of their whole lives--one long days journey into night. To begin with, Edmund Tyrone is critic every last(predicate)y ill, Jamie Tyrone is idle and worthless, James Tyrone is stingy and miserly, and to top it all gust off Mary Tyrone has an addiction to morphine. Each player in this turn comes in conflict with the next and blames the former(a) for all that is wrong, rigorously because they cant seem to face the fact that they have a exceedingly dysfunctional family. It seems that all they really postulate is a experience of normalcy. Through all of their hideous problems, they each go into defense force because they cant find contentment any other way, but their expression draws them farther and farther from what they want. In the marrow of our story lies Edmund, representing the writer in his youth. He is the youngest and most nice member of the family and becomes cursed with consumption. Because he is sickly and the baby of the family, he is coddled and loved by his parents, which draws jealousy from his brother, Jamie, who is otherwise his ally.
Nonetheless, Edmund initially seems to position along well profuse with the family, including his brother, despite conflicts, because his family still has promise for his future. Edmund never seemed to have lived a normal life. As his pose said, He has never been happy. H e never will be. Nor healthy. He was born ne! rvous and to a fault sensitive. Though she is ripe cynical and guilty, what she says still holds some truth. Edmund is eaten up with illness and... If you want to get a full essay, secern it on our website:
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